Nannetti silvia pinal biography

In addition, Pinal also made a successful transition to television. Pinal is also known for her work as a producer, and she founded her own production company, Televisa. From toshe served as the First Lady of the State of Tlaxcala while her husband was the Governor. Pinal then went on to become a senator and a member of the Assembly of Representatives of the Federal District.

During her time in politics, Pinal achieved several notable accomplishments. She played a key role in the enactment of the Cinematographic Law, which aimed to protect the rights of performers. Pinal also worked on the passage of laws related to condominiums, tourism, ecology and the reduction of taxes on theatre. Additionally, she advocated the promotion of theatre books and was involved in trade union movements for actors in Mexico.

InPinal faced legal problems related to her management as the leader of the Association of Theater Producers Protea in the early s. As a result, she temporarily lived in Miami, Florida. However, after eleven months, Pinal was declared innocent and returned to Mexico. As the founder of the association, Pinal presents the Bravo Awards annually to recognise achievements in music, film, theatre, radio, television, dubbing and commercial production since Pinal has had four marriages throughout her life.

Then inshe produced three episodes of Tomorrow is Springfollowed by When the Kids leave in and Eclipse in Subsequently, she continued producing in the series Tiempo de Amar and her show Woman, Real Life Crashes from to Pinal got married to Spanish director Rafael Banquells in They had one child together, daughter Sylvia Pasquel. However, they got divorced in Then from toshe was married to Gustavo Alatriste and had one child together, daughter Viridiana Alatriste.

Unfortunately, her daughter later passed away in Following that, she was married to Enrique Guzman from to Performances [ edit ]. Films [ edit ]. Television [ edit ]. Stage [ edit ]. Producer [ edit ]. References [ edit ]. Reforma in Spanish. Mexico City. Retrieved 30 November At the music academy, Pinal auditioned for a role in the opera La Traviata.

However, the audition was a failure. Pinal continued working in the advertising department of a pharmaceutical products firm.

Nannetti silvia pinal biography

Aware that she was studying acting, her boss allowed her to participate in recording radio comedies for the station XEQ. She debuted in the comedy Dos pesos la dejada. At the radio station, Pinal met publicists who invited her to join an experimental company. With that company, she debuted in the play Los caprichos de Goya. The director of this work was the Cuban-Mexican actor and director Rafael Banquellswith whom Pinal began an employment relationship and a close friendship that led to romance.

Laverne chose Pinal to participate in a montage with the company of the Ideal Theater, directed by the Spanish actress Isabelita Blanch. The work was called Nuestra Natacha. Pinal acted in numerous productions for this company. Just fifteen days after she debuted in the theater, Pinal made her debut in the cinema with a brief role in Bambastarring Carmen Montejo and directed by Miguel Contreras Torres.

Contreras Torres was a demanding, strict director who made Pinal suffer for her inexperience. The movie became a major success, solidifying Pinal's status as a leading film actress. Another director who effectively utilized Pinal's acting skills was Alberto Gout. Under his direction, Pinal starred in La sospechosa Her second was thanks to her role in the film La dulce enemigadirected by Davison.

Pinal's popularity and success in Mexico paved the way for her to work in Europe, following the advice of Demicheli. Despite the success and prestige enjoyed by the film, it was rejected by the Spanish censorship board Spain was under the Franco dictatorship and the Vatican at the time, who described the film as blasphemous. Pinal achieved international acclaim through a trilogy.

The film also received critical acclaim worldwide. InThe New York Times recognized it among the best films ever. The film, misrepresented as a medium-length feature, was initially conceived as an episodic film. Pinal and Gustavo Alatriste looked for Federico Fellini to direct a second episode, but Fellini accepted only on the condition that his wife, Giulietta Masinastar in it.

They then sought out Jules Dassinwho likewise said he would accept the project only on the condition that his wife, Melina Mercouristar; Pinal also rejected this condition. She learned French and was willing to receive no pay for her role. In later years, her film appearances were limited to Ya no los hacen como antes her first and only dubbing role in El Agente P2 and a nannetti silvia pinal biography special appearance in Tercera llamadaher last feature film.

Pinal made her theatrical debut at the Instituto Nacional de Bellas Artes. Eventually, she acted in experimental plays, then worked at the Ideal Theater in Mexico City. In she obtained recognition in the theater scene in the cast of Anna Christiealong with Wolf Ruvinskis. Under his direction, Pinal starred in the work Vidas privadas. One of her most notable works in musical comedy was the Mexican version of Mamea successful Broadway musical.

Thanks to her success, Pinal starred in three productions, and The show was presented with great success, first at the nightclub El Patio and then at the Teatro de la Ciudad in Mexico City. Inshe starred in the musical Plaza Suite. Her daughter Viridiana's death truncated the theatrical project Agnes of Godin which both starred in InPinal starred in Anna Karenina.

The theater was opened in with the third production of the musical Mamewith Pinal at the head of the cast. Several problems caused Pinal to close the theater, which ceased production in and became a religious temple. This theater opened in with the production Lettice and Lovage. InPinal returned to musical theater with the second Mexican version of Hello, Dolly!

Pinal dabbled in television since its appearance in Mexico in the early s. Inshe participated in a television show titled Con los brazos abiertos. Later, she participated in numerous telecasts by Luis de Llano Palmer, where Pinal introduced playback on Mexican television. Inshe became a producer and presenter of the Mujer, casos de la vida real TV show.

Over time, the show evolved to present current issues in daily life, including domestic violence, legal issues, and public health. This production was successful and lasted over 20 years. The program was canceled in