Hugo wolf biography citation

Wolf's greatest musical influence was Richard Wagnerwho, in an encounter after Wolf first came to the Vienna Conservatory, encouraged the young composer to persist in composing and to attempt larger-scale works, cementing Wolf's desire to emulate his musical idol. His antipathy to Johannes Brahms was fueled equally by his devotion to Wagner's musical radicalism and his loathing of Brahms' musical "conservatism".

He is best known by his hugos wolf biography citation, his temperament and inclination leading him to more intimate, subjective and terse musical utterances. Although he initially believed that mastering the larger forms was the hallmark of a great composer a belief his early mentors reinforcedthe smaller scale of the art song proved to provide an ideal creative outlet for his musical expression and came to be regarded as the genre best suited to his peculiar genius.

Wolf's lieder are noted for compressing expansive musical ideas and depth of feeling, fed by his skill at finding the just right musical setting for the poetry that inspired him. Early in his career Wolf modelled his lieder after those of Franz Schubert and Robert Schumannparticularly in the period around his relationship with Vally Franck; in fact, they were good enough imitations to pass off as the real thing, which he once attempted, though his cover was blown too soon.

It is speculated that his choice of lieder texts in the earlier years, largely dealing with sin and anguish, were partly influenced by his contracting syphilis. His love for Vally, not fully requited, inspired highly chromatic and philosophical lieder that could be regarded as successors to Wagner's Wesendonck Lieder cycle. Others were as distant from those in mood as possible; lighthearted and humorous.

The rarely heard symphonic poem Penthesileabased on the tragedy by Heinrich von Kleistis tempestuous and highly colored as hugo wolf biography citation. Although Wolf admired Liszt, who had encouraged him to complete the work, he felt Liszt's own music too dry and academic and strove for color and passion. In his later works he relied less on the text to give him his musical framework and more on his pure musical ideas themselves; the later Spanish and Italian songs reflect this move toward " absolute music ".

Wolf wrote hundreds of liederthree operasincidental musicchoral music, as well as some rarely heard orchestral, chamber and piano music. His most famous instrumental piece is the Italian Serenadeoriginally for string quartet and later transcribed for orchestra, which marked the beginning of his mature style. Wolf was famous for his use of tonality to reinforce meaning.

Concentrating on two tonal areas to musically depict ambiguity and conflict in the text became a hallmark of his style, resolving only when appropriate to the meaning of the song. His chosen texts were often full of anguish and inability to find resolution, and thus so too was the tonality wandering, unable to return to the home key. Use of deceptive cadenceschromaticism, dissonanceand chromatic mediants obscure the harmonic destination for as long as the psychological tension is sustained.

His formal structure as well reflected the texts being set, and he wrote almost none of the straightforward strophic songs favoured by his contemporaries, instead building the form around the nature of the work. Individual songs have been included in the recorded repertoire of many singers. In September the Hugo Wolf Society was formed under the aegis of the United Kingdom's His Master's Voice supervised by Walter Legge [ 14 ] for the recording of a substantial proportion of the song repertoire.

These were to be issued to subscribers in limited editions. The Wolf Society recordings were re-released in The accompanying volumes include essays by Hans Jancik, texts of the poems, and translations by Lionel Salter English and Jacques Fournier and others French. The first project to record every song by Wolf was commenced inthe th anniversary of the composer's birth, by Stone Records and the Oxford Lieder Festival.

This series of live recordings, featuring a wide variety of singers and Oxford Lieder Festival 's artistic director Sholto Kynoch at the piano, was completed in with the release of the 11th disc. In Austrian Radio and the Departure Centre for Creative Design in Vienna marked Hugo Wolf's anniversary with a recital series in which of the songs were performed against visuals created by leading designers.

The series was intended to bring Lieder to a new audience and was held at the initiative of baritone Wolfgang Holzmairwho was joined by a team of Austrian singers and pianists. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item.

Austrian composer — This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. ViennaAustria-Hungary. Life [ edit ]. Early life — [ edit ]. Maturity — [ edit ]. Final years — [ edit ]. Music [ edit ]. Hugo Wolf; a biography Bookreader Item Preview.

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