Best biography modigliani artist

His escalating intake of drugs and alcohol may have been a means by which Modigliani masked his tuberculosis from his acquaintances, few of whom knew of his condition. Tuberculosis - the leading cause of death in France by - was highly communicable, there was no cure, and those who had it were feared, ostracized, and pitied. Modigliani thrived on camaraderie and would not let himself be isolated as an invalid; he sought to suppress his coughing bouts and any best biography modigliani artist recognizable signs of the disease that was slowly consuming him.

Modigliani used drink and drugs as palliatives to ease his physical pain, helping him to maintain a facade of vitality and allowing him to continue to create his art. Modigliani's use of drink and drugs intensified from about onward. After years of remission and recurrence, this was the period during which the symptoms of his tuberculosis worsened, signaling that the disease had reached an advanced stage.

He sought the company of artists such as Utrillo and Soutine, seeking acceptance and validation for his work from his colleagues. Modigliani's behavior stood out even in these Bohemian surroundings: he carried on frequent affairs, drank heavily, and used absinthe and hashish. While drunk, he would sometimes strip himself naked at social gatherings.

He became the epitome of the tragic artist, creating a posthumous legend almost as well known as that of Vincent van Gogh. Salmon claimed - erroneously - that whereas Modigliani was a totally pedestrian artist when sober. From that day on, he became one who must be counted among the masters of living art. In fact, art historians suggest that it is entirely possible that Modigliani would have achieved even best biography modigliani artist artistic heights had he not been immured in, and destroyed by, his own self-indulgences.

During his early years in Paris, Modigliani worked at a furious pace. He was constantly sketching, making as many as a hundred drawings a day. However, many of his works were lost - destroyed by him as inferior, left behind in his frequent changes of address, or given to girlfriends who did not keep them. Eventually he developed his own unique style, one that cannot be adequately categorized with those of other artists.

He met the first serious love of his life, Russian poet Anna Akhmatova, inwhen he was They had studios in the same building, and although year-old Anna was recently married, they began an affair. Anna was tall as Modigliani was only 5 foot 5 inches with dark hair like Modigliani'spale skin and grey-green eyes, she embodied Modigliani's aesthetic ideal and the pair became engrossed in each other.

After a year, however, Anna returned to her husband. At the outset of World War I, Modigliani tried to enlist in the army but was refused because of his poor health. Zborowski became Modigliani's primary art dealer and friend during the artist's final years, helping him financially, and also organizing his show in Paris in The several dozen nudes Modigliani painted between and constitute many of his best-known works.

The paintings from this arrangement were thus different from his previous depictions of friends and lovers in that they were funded by Zborowski either for his own collection, as a favor to his friend, or with an eye to their "commercial potential", rather than originating from the artist's personal circle of acquaintances. The Paris show of was Modigliani's only solo exhibition during his life, and is "notorious" in modern art history for its sensational public reception and the attendant issues of obscenity.

The show was closed by police on its opening day, but continued thereafter, most likely after the removal of paintings from the gallery's streetfront window. Nude Sitting on a Divan is one of a series of nudes painted by Modigliani in that created a sensation when exhibited in Paris that year. According to the catalogue description from the sale of the painting at Sotheby's, seven nudes were exhibited in the show.

On a trip to Nice which had been conceived and organized by Zborowski, Modigliani, Foujita and other artists tried to sell their works to rich tourists. Modigliani managed to sell a few pictures, but only for a few francs each. Despite this, during this time he produced most of the paintings that later became his most popular and valued works.

During his lifetime, he sold a number of his works, but never for any great amount of money. The show had around 30 works and scandalously included four nudes that were visible from outside the gallery, which attracted crowds and the attention of the police commissaire at the precinct across the street who ordered that Weill take down the offending works.

The notorious show was a financial flop, with Weill making some purchases herself to help support the artist. In November, Jeanne gave birth to their daughter whom she named after herself in Nice, and the pair stayed there until early summer of When Jeanne returned to Paris, she was already pregnant with their second child. She was buried one day after her husband.

Modigliani lived and died a pauper, but the market for his work took off shortly after his death. Prices rose quickly, and with no one to organize his estate, paintings of questionable authenticity began to surface. To this day, there are serious disputes about the authorship of some of the canvases attributed to him. Nevertheless, he is now recognized as one of the preeminent figurative artists of the 20th century, his paintings and sculptures prized by museums, collectors, and audiences.

All Rights Reserved. October 24, am. Live fast, die young, and leave behind a beautiful corpse. Such is the legend of Italian 20th-century artist Amedeo Modigliani. Wikimedia Commons Wikiquote Wikidata item. Italian painter and sculptor — LivornoKingdom of Italy. Family and early life [ edit ]. Art student years [ edit ]. Micheli and the Macchiaioli [ edit ].

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. Early literary influences [ edit ]. Paris [ edit ]. Arrival [ edit ]. Transformation [ edit ]. Output [ edit ]. Gallery of works [ edit ]. Portrait of Maude Abrantes, Hecht Museum.

Portrait of Moise Kisling Jacques and Berthe Lipchitz Portrait of Beatrice Hastings The Little Peasant, Tate Liverpool. Dedie Hayden, Centre Georges Pompidou. Beatrice Hastings—, Solomon R. Guggenheim Museum. Montparnasse, Paris [ edit ]. Sculpture [ edit ]. Friends and influences [ edit ].

Best biography modigliani artist

War years [ edit ]. Iris Treec. Reclining Nude, Metropolitan Museum of Art. Nude, Solomon R. Seated Nude, Honolulu Museum of Art. Nice [ edit ]. November Learn how and when to remove this message. Death and funeral [ edit ]. Legacy [ edit ]. Influences [ edit ]. Art market [ edit ]. Forgeries [ edit ]. Cinema [ edit ]. Critical reactions [ edit ].

Selected works [ edit ]. Paintings [ edit ]. Sculptures [ edit ]. Selected exhibitions [ edit ]. See best biography modigliani artist [ edit ]. References [ edit ]. Beit Hatfutsot. Archived from the original on 30 August Amedeo Modigliani. London: Thames and Hudson. ISBN Archived from the original on 22 October Retrieved 14 September Modigliani: A Biography.

ISBN X. Modigliani Reissue ed. Crown Pub. New York: Arno P. The New Art Gallery Walsall. Archived from the original on 7 July Retrieved 16 May Retrieved 16 June Knopf,p. Retrieved 7 September New York: Harry N. Abrams, Inc. Deadline Hollywood. The Israel Museum. Jerusalem: Harry N. Retrieved 26 October The Eclectic Light Company.

Retrieved 23 June He certainly had a decisive personality: if a work was not to his taste, he destroyed it. He returned to painting in with a new awareness, due in part to a fortunate meeting with Paul Guillaume Paris, -a young French dealer, who advised Modigliani to devote himself to painting, which was more attractive to the art market than sculpture.

He is also the first to sponsor the young Amedeo, but this is not enough to achieve fame, which will only properly occur towards the end of his career and even more so after his death. However, this is not the only motivation that leads the artist to return to painting: worsening health conditions do not allow him to deal with difficult materials, such as limestone, which he often chose and used.

In the summer he therefore stayed between Nice and Cagnes-sur-Mer. In May Amedeo returned to Paris, and the following month he was joined by Jeanne, who turned out to be pregnant again. In August, the artist exhibited in London, receiving critical acclaim, but in the last months of the year his health experienced a further collapse. In January, the artist fell ill with pneumonia and slipped into a coma: she died on January 24 at p.

The next day, at 3 a. The sum of influences that will characterize his production will lead him to a production that can hardly be pigeonholed into a precise genre: his is an art characterized by simplicity and formal purity. Unmistakable of the sculptural production are the peculiar elongated figuresbut also the reduction to the minimumin terms of simplicity of lines and forms.

In the Head of c.