Alirio palacios biography of william

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Highlight links. Archived from the original on March 4, Archived from the original on March 8, Retrieved October 11, ISBN OCLC Retrieved October 1, Isla de Margarita Litogr. Vargas in Caracas. Tarde-a-temprano: poemas- OCLC ed. Imprenta nacional, Caracas. Caracas: Editorial Arte. Caracas: Editorial Armitano. Littlejohn-Smith Gallery.

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He taught mezzotint at the University of Art in Geneva. He was a true master of the mezzotint, an appropriate medium to investigate shapes based on the color black. He studied the technique in depth at the University of Krakow, finishing his studies in More than ever, his works filled with dense and dramatic atmospheres. Figures are flighty, desperate, and anxious apparitions who are persecuted by the force of nature in the midst of darkness.

Because living in the Delta is to be at the mercy of natural shifts: huge river floodings, rain, and constant exile. And it all happens in the darkness of night, in the darkest blackness imaginable. Caracas: — He decided not to travel for a while. His work as graphic designer was intense, and he exhibited constantly and was awarded many prizes as an artist.

He reworks meanings by weaving them together. In the end it is the weave, not concrete things, that make up the paintings. Tenuous and acutely poetic, having more vision than reality, more dislocation that matter, his works demand a particular dedication. The past at the Delta coexists with the artist. He has interiorized that natural world, and it surfaces constantly.

Just go to the Carrizales studio, in the state of Miranda, and appreciate the huge garden-studio where planks and «concretegraphs» prints done on slabs of reinforced concrete have their special place. This environment, I think, is part of the vital context required by the artist. It was the first step toward international recognition.

In New York, he once more found the conditions to continue printing, being able to procure Chinese materials found in Chinatown while integrating the techniques and themes from his personalized vision of the West. From that moment on, he will work both in New York and Caracas, in both drawing and painting. Sincein New York, he prints on large-format wooden planks using water and Chinese natural pigments and inks.

He continues this technique in his Carrizales studio.

Alirio palacios biography of william

Once printed and forming a series, the woodcuts are intervened individually, each becoming an autonomous piece. The materials used are extremely important. He chooses the medium according to the type of wood used. I use them with bass-relief or different textures. I take out, glue on, scratch, carve, and make up the piece with the cuts.

They have different colors, according to the type of tree. I paint on woods that come from Malaysia, the Amazon basin, Indonesia. This horse was the topic of his thesis in Peking, and he studied it up to the smallest detail. In order to graduate, he made 12 large-format prints x cm. Palacios still traces this pure line with a simple nail applied to the wood.

He uses the same matrix and large sheets of rice paper. He sometimes adds color or other characters: a devil-skunk, a dog, a devil-opossum, etc.